Publicaties

Eve, I. (2020). The Same but Differently. Maastricht: Lectoraat AOK, Zuyd Hogeschool/MCICM. https://www.maastrichtuniversity.nl/publication-same-differently-imogen-eve

Peters, P. (2022). Achter de schermen. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 9(3), 45. https://www.maastrichtuniversity.nl/behind-scenes

Peters, P. (2021). Musici van morgen. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 9(3), 45. https://www.maastrichtuniversity.nl/musicians-tomorrow

Peters, P. (2019). Unfinished Symphonies. Datawyse / Universitaire Pers Maastricht. https://doi.org/10.26481/spe.20190329pp

Peters, P.F. (2019). Het orkest als laboratorium. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 6(4), 30.

Peters, P.F. (2019). Mahler aan de stamtafel. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 7(1), 61.

Peters, P. (2019). Anders luisteren naar Beethoven. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 7(2), 45. https://www.maastrichtuniversity.nl/listening-beethoven-differently

Peters, P.F., I. Eve & T. van de Werff. (2020). Hoe klinkt Maastricht Noordwest? de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 7(4), 39. https://www.maastrichtuniversity.nl/how-does-maastricht-northwest-sound

Peters, P.F., Rosu, S. & Benschop, R. (2020). The Researching Orchestra: Innovative collaborations between symphonic orchestras and knowledge institutions. In Tröndle, M. (Ed.). Classical Concert Studies: A Companion to Contemporary Research and Performance (pp. 342-350). London: Routledge/Taylor & Francis Group. https://www.taylorfrancis.com/chapters/edit/10.4324/9781003013839-42/researching-orchestra-christoph-seibert-jutta-toelle-melanie-wald-fuhrmann

Peters, P., & van de Werff, T. (2021). Een lerend orkest. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 8(2), 26-26. https://www.maastrichtuniversity.nl/learning-orchestraPeters, P.F., T. van de Werff & I. Eve. (2020). Een salon voor de vrienden. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 7(3), 26. https://www.maastrichtuniversity.nl/peoples-salon

Peters, P., & van de Werff, T. (2020). Digitale flessenpost. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 23. https://www.maastrichtuniversity.nl/digital-message-bottle

Peters, P.F., T. van de Werff, R. Benschop and I. Eve. (2022). Artful innovation: How to experiment in symphonic music practice. In Chaker, Sarah & Petri-Preis, Axel (eds.), Tuning Up – Innovative Potentials of Musikvermittlung. Bielefeld: Transcript Verlag. https://doi.org/10.14361/9783839456811-014

Peters, P.F., Werff, T. van de. & Eve, I. (2022). The People’s Salon: A pragmatist approach to audience participation in symphonic music. In: Benschop, R., Saaze, V. van., Sitzia & Rausch, C. (Eds.) Participatory Practices in Arts and Heritage: Learning Through and from Collaboration. Springer. https://link.springer.com/book/10.1007/978-3-031-05694-9

Peters, P.F., T. van de Werff & I. Eve. (2020). Een salon voor de vrienden. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 7(3), 26. https://www.maastrichtuniversity.nl/peoples-salon

Peters, P., van de Werff, T., Eve, I., & Roeden, J. (2023). Doing Collaborative Research on Symphonic Orchestra Audiences: Interventionist Ethnography of Music Practices. In K. Bijsterveld, & A. Swinnen (Eds.), Interdisciplinarity in the Scholarly Life Cycle : Learning by Example in Humanities and Social Science Research (pp. 253-271). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-11108-2_14

Petzold, D. (2024). The 'Museum Problem' Revisited: Learning from Contemporary Art Conservation. In N. T. Smith, P. Peters, & K. Molina (Eds.), Classical Music Futures: Practices of Innovation (pp. 229-251). Open Book Publishers. https://doi.org/10.11647/obp.0353.12

Petzold, D. (2023). Archives of change: An art conservation studies approach to innovating classical music. [Doctoral Thesis, Maastricht University]. Maastricht University. https://doi.org/10.26481/dis.20230704dp

Petzold, D. (2023). Hoe leeft klassieke muziek online? de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 45.

Petzold, D. (2023). Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra. Fontes Artis Musicae, 70(3), 223-243. https://doi.org/10.1353/fam.2023.a909190

Petzold, D. (2020). Klinkend erfgoed. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 60. https://www.maastrichtuniversity.nl/sounding-heritage

Smith, N. T., Peters P. F.  & Molina, K. (2024). Classical Music Futures: Practices of Innovation. Open Book Publishers. https://doi.org/10.11647/obp.0353.12

Smith, N. T. and P.F. Peters (2023). ‘Music and Buildings’. In Dromey, Chris (ed.) The Routledge Companion to Applied Musicology. London: Routledge. https://www.taylorfrancis.com/chapters/edit/10.4324/9781003042983-33/music-buildings-building-music-neil-smith-peter-peters

Smith, N. T. (2022). Het publiek als proefkonijn. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 10(1), 33. https://www.maastrichtuniversity.nl/audience-test-subject

Smith, N. T. (2022). Contested Materials: Concrete and Stone in David Chipperfield Architects’ New Concert Hall for Edinburgh. In Rydin, Y., Beauregard, R.A., Lieto, L. and Cremaschi, M. (Eds.). Regulation and Planning: Practices, Institutions, Agency (pp. 56-67). Routledge. https://www.routledge.com/Regulation-and-Planning-Practices-Institutions-Agency/Rydin-Beauregard-Cremaschi-Lieto/p/book/9780367559557

Smith, N. T. (2021). Constructing the Public Concert Hall. Journal of the Royal Musical Society. https://www.cambridge.org/core/journals/journal-of-the-royal-musical-association/article/constructing-the-public-concert-hall/F85B59D0ABB9E04C0D9DE4F6B9549D90?utm_campaign=shareaholic&utm_medium=copy_link&utm_source=bookmark

Smith, N. T. (2021). Concrete Culture: The Planning Hearing as a Stage for Cultural Debates New Concert Hall for Edinburgh. Cultural Sociology. https://doi.org/10.1177/17499755211040959

Smith, N.T. (2020). Performing in winter: creating COVID-safe super venues and sharing the stage. In The Conversation. Retrieved from https://theconversation.com/performing-in-winter-creating-covid-safe-super-venues-and-sharing-the-stage-145885

Smith, N. T. (2021). Gebouwde muziek. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 7(3), 26. https://www.maastrichtuniversity.nl/concert-hall-and-orchestra

Spronck, V. (2022). Listen closely: Innovating audience participation in symphonic music. [Doctoral Thesis, Maastricht University]. Maastricht University. https://doi.org/10.26481/dis.20220706vs

Spronck, V. (2022). Beethoven as open dialogue: Doing participation differently in symphonic music? In: Benschop, R., Rausch, C., Sitzia, E. and Van Saaze, V. (Eds.). Participatory Practices in Arts and Heritage: Learning Through and from Collaboration. Springer. https://link.springer.com/chapter/10.1007/978-3-031-05694-9_12

Spronck, V. (2021). Luisteren als een etnograaf. de Klank. Magazine van orkest en vrienden philharmonie zuidnederland, 8(3), 45. https://www.maastrichtuniversity.nl/listening-etnographer

Spronck, V. (2020). We dreigen het cultuurpubliek te vergeten. Trouw, 27 April. https://www.trouw.nl/opinie/we-dreigen-het-cultuurpubliek-te-vergeten~b55a6667/

Spronck, V. (2019). A Laboratory for Performance Practice: The Case of MusicExperiment21,In: P. De Assis & L. D’Errico (Eds.). Artistic Research: Charting a Field in Expansion,Washington DC: Rowman & Littlefield. https://rowman.com/ISBN/9781786611499/Artistic-Research-Charting-a-Field-in-Expansion

Spronck, V., Peters, P.F. & Werff, T. van de. (2021). Empty Minds: Innovating Audience Participation in Symphonic Practice. Science as Culture, 30(2), 216-236. (Special Issue on Experimenting Participatory Innovation). DOI: 10.1080/09505431.2021.1893681

Van de Werff, T. (2020). Een tijdelijk en gretig publiekje. Retrieved from: http://corona- kunst.nl/ties-van-de-werff-een-tijdelijk-en-gewillig-publiekje/

Van de Werff, T. Eve, I. & Spronck, V. (2023) Experiments in Participation: performing audiences in the symphony orchestra practice. In Dromey, Chris (ed.) The Routledge Companion to Applied Musicology. London: Routledge. https://www.routledge.com/The-Routledge-Companion-to-Applied-Musicology/Dromey/p/book/9780367488246

Werff, T. van de., Molina, K. & Peters, P.F., (2021). Artful Participation. Experiments in Audience Participation. https://artfulparticipation.nl/

Van de Werff, T. and I. Pasmans. (2019) Music in the Making: an open and collaborative experiment at Conservatorium Maastricht. In Sætre, Jon Helge & Gies, Stefan (eds.), Centre for Excellence in Music Performance Education publication series, Oslo: Norwegian Academy of Music. https://nmh.brage.unit.no/nmh-xmlui/bitstream/handle/11250/2642235/Becoming_Musicians_Gies_%26_Saetre_%28Eds.%29_web.pdf?sequence=1&isAllowed=y

Van de Werff, T. & Peters, P. (2022). The People’s Salon: A pragmatist approach to audience participation in symphonic music. In Benschop et al. (eds), Participatory Practices in Art and Cultural Heritage: Learning Through and from Collaboration. Maastricht: MACCH. https://link.springer.com/book/10.1007/978-3-031-05694-9

Van de Werff, T., Smith, N.T., Rosu, S., Peters, P. (2021) Missing the Audience: Online musicking in times of Covid-19. Journal of Cultural Management and Cultural Policy, https://doi.org/10.14361/zkmm-2021-0107