Dr Alexandra Supper (A.)
Supper, A. (2014). Sublime Frequencies: The Construction of Sublime Listening Experiences in the Sonification of Scientific Data. Social Studies of Science, 44(1), 34-58. https://doi.org/10.1177/0306312713496875
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Supper, A. (2015). Data Karaoke: Sensory and Bodily Skills in Conference Presentations. Science as Culture, 24(4), 436-457. https://doi.org/10.1080/09505431.2015.1052390
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Supper, A. (2012). The Search for the 'Killer Application': Drawing the Boundaries around the Sonification of Scientific Data. In K. T. Bijsterveld, & T. J. Pinch (Eds.), The Oxford Handbook of Sound Studies (pp. 249-270). Oxford University Press. https://doi.org/10.1093/OXFORDHB/9780195388947.013.0064
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Supper, A. (2012). Lobbying for the ear : the public fascination with and academic legitimacy of the sonification of scientific data. [Doctoral Thesis, Maastricht University]. Datawyse / Universitaire Pers Maastricht. https://doi.org/10.26481/dis.20120606as
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Supper, A. (2018). Listening for the hiss: lo-fi liner notes as curatorial practices. Popular Music, 37(2), 253-270. https://doi.org/10.1017/S0261143018000041
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Supper, A. (2015). Sound Information: Sonification in the Age of Complex Data and Digital Audio. Information & Culture, 50(4), 441-464. https://doi.org/10.1353/lac.2015.0021
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van der Heide, A., Rufas, A., & Supper, A. (2016). Doctoral Dissertation Defences: Performing Ambiguity between Ceremony and Assessment. Science as Culture, 25(4), 473-495. https://doi.org/10.1080/09505431.2016.1183610
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Supper, A. (2012). Wie objektiv sind Sonifikationen? Das Ringen um wissenschaftliche Legitimität im gegenwärtigen Diskurs der ICAD. In A. Schoon, & A. Volmar (Eds.), Das geschulte Ohr: Eine Kulturgeschichte der Sonifikation (pp. 29-46). Transcript. https://doi.org/10.14361/transcript.9783839420492.29
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Dr Alexandra Supper (A.)
Assistant Professor
Maatschappijwetenschap
Faculty of Arts and Social Sciences